Showing posts with label Michael J. Parsons. Show all posts
Showing posts with label Michael J. Parsons. Show all posts

Tuesday, April 14, 2026

The Secret Of The Sacred Forest (1970)

1970 - The Secret Of The Sacred Forest (William Copeland Productions/[uncredited] Sark-Marok Productions/Shermart Distribution/AFTRS)  

[US production filmed in the Philippines around October 1967, eventually released in Biloxi on 26th June 1970. Also known as “Sacred Forest”]  

Director Michael DuPont Writer/Producer William Copeland Cinematography Vincente Sempio Music Herschel Burke Gilbert Orchestration/Arranger Ernest Hughes Songs "Has Any One Seen Chris" by William Copeland & Herschel Burke Gilbert, "Filipina Filipina" by William Copeland & Angel Pena Singer Maurice Santa Lucia Editor Tony DiMarco [as Anthony DiMarco] Sound Demetrio Carrianga  

Cast Gary Merrill (Mike Parks), Jon Provost (Jimmy Carpenter), Vic Silayan (Commander Ramos), Leo Martinez (Bayani de la Cruz), Henry Duval (Garcia), Michael J. Parsons [as Mike Parsons] (Chris Carpenter), Laurie Agudo (Annie), Dave Harvey (Brownie), Rolf Bayer (Captain Kram), Mona Morena (Mother), Lola Boy (Grandmother), Luis Florentino (Sergeant), Joseph de Cordova (Police Chief), Carol Varga (Rosa), Bruno Punzalan (Colonel Romero), Poch Apostol (Priest), Fred Viray (Dispatcher), Don Smith (2nd Mate), Zenaida Amador (Nun), Gami Virray (Pirate), Vicente Sempio (Hotel Manager), Cristina Ponce Enrile [as Christina Ponce-Enrile] (Fely)

ADVENTURE  




COMING SOON!



Gary Merrill (Mike Parks)

Jon Provost (Jimmy Carpenter)

Vic Silayan (Commander Ramos)

Leo Martinez (Bayani de la Cruz)

Henry Duval (Garcia)

Michael J. Parsons [as Mike Parsons] (Chris Carpenter)

Laurie Agudo (Annie)

Dave Harvey (Brownie)

Rolf Bayer (Captain Kram)

Mona Morena (Mother)

Lola Boy (Grandmother)

Luis Florentino (Sergeant)

Joseph de Cordova (right - Police Chief)

Carol Varga (Rosa)

Bruno Punzalan (Colonel Romero)

Poch Apostol (Priest)

Fred Viray (Dispatcher)

Don Smith (2nd Mate)

Zenaida Amador (Nun)

Vicente Sempio (Hotel Manager)

Cristina Ponce Enrile [as Christina Ponce-Enrile] (Fely)




THEATRICAL

USA
- screened around the US from its premiere screening in Biloxi on 26th June 1970 to 1975

AUSTRALIA - a 16mm print was submitted for a G rating in February 1975 but there is no evidence so far of a commercial release

VIDEO


UK
- released on VHS in 1987 via the Network Channel as "The Sacred Forest" 




- UK VHS, mp4 file

Monday, November 10, 2025

Michael J. Parsons

Born in Manila, the eldest of three sons to American-born parents - war hero Charles Thomas "Chick" Parsons Jr (April 22, 1902 – May 12, 1988), and Katrushka (Katsy) Jurika.

Mike spoke about his upbringing in an interview with Roy Newquist on the set of Too Late The Hero (1970): "I was born here in the Philippines, in Manila. Education was kinda interrupted by the War, and after the War I went to school here in the Philippines and then Hong Kong. I finally ended up at Yale, transferred from the Undergraduate Department to the Drama Department, spent a year there and left.

"The commitment to acting as a way of life and profession, as my only way of life, has only been about the past year and a half. But I started acting in high school plays, and I worked in a couple of plays in New York when I left Yale. But what I have been doing for the past eleven years is... After I got out of the Marine Corps I came back here to work for my father, and ended up as Vice President, General Manager of his corporation [most probably the North American Trading and Importing Company] and sat on the boards of about nine other family corporations [Chick Parson's interests included a minimum 60% ownership of the Luzon Stevedoring Company, the La Insular Cigar and Cigarette Factory, and Japanese mining firm Nihon Kogyo Kabushiki Kaisha]. All this time, however, I was doing films. I'd do one film a year, two, instead of taking holidays. And a couple of years ago I just sat down, took stock of what I wanted to do, and I worked on Beach Red (1967) for Cornel Wilde. Beach Red led me to this picture.

"I think I have what it takes, and I'm going to give it a heavy shot anyhow."

1962 - first screen appearance as Lieutenant Robert Grimm in Eddie Romero's war film Target 1-1-1/The Raiders Of Leyte Gulf.

1963 - supporting role in the international production To Be A Man/Cry Of Battle; Eddie Romero was Associate Producer. Eddie and Mike subsequently form Filipinas Productions and release Sa Atin Ang Daigdig, Magtago Ka Na, Binata! and Ikaw Ngayon Ako Bukas (Mike also acts in all three), and Dakpin Si Pedro Navarro! (co-producer with Eddie only).

1964 - as Filipinas Productions, co-produced and had a supporting role as Papa in Eddie Romero and Gerardo de Leon's Intramuros/The Walls Of Hell, and Eddie's Amok/Moro Witch Doctor. Filipinas Productions also make a local version on the set of Flight To Fury (dir. Monte Hellman), released as Cordillera, and a western called Cimarron; an English version, Way Of The West, was also prepared for international release but never sold. Mike makes a brief appearance in the all-star war film Mga Kanyon Sa Corregidor (dirs. Jose de Villa and Mar S. Torres).

1965 - as Filipinas Productions, co-produced and also had a supporting role in Eddie Romero's The Ravagers, and plays an American soldier in the Fernando Poe Jr war film Sa Bawat Hakbang... Panganib. He is also in a solo producer role as "MJP Productions" for Darmo Solo (dir. Jose Dagumboy).

1966 - as producer for MJP Productions as his one and only lead role in Eddie Romero's The Passionate Strangers.

1967 - Quijano de Manila (Nick Joaquin) remembers about the year 1967 in the Philippines Free Press: "Mike Parsons shooting the first Philippine underground film at his Pasay house; and the night at Indios Bravos that the film was 'premiered.'" He fails to mention the film's name - but Parsons is linked to directing the experimental shorts The Wall and Las Munecas (dates unknown). He also acts in Cornel Wilde's Beach Red, (uncredited) as an American POW in The Longest Hundred Miles, and in The Secret Of The Sacred Forest (eventually released 1970) for director Michael DuPont. 

1969 - filming for Too Late The Hero (released 1970) on Boracay Island; Parsons is in a supporting role playing Irish soldier Rafferty. 

1973 - acted in the "Django" episode of the Sine Pilipino omnibus film Si Popeye atbp/"Popeye etc".

1975 - supported Zaldy Zshornack and Vic Vargas in Dugo Ng Tarikan (dir. Armando A. Herrera).

1976 - co-producer on High Velocity for US production company First Asian Films Of California, as well as co-writer with director Remi Kramer.

1978 - one of the voices in the animated feature Tadhana (dir. Nonoy Marcelo).

1978 - also featured in 1978 Footages, a short film directed by Virgilio “Pandy” Aviado: "This film captures the friendship, collaboration and shared adventurous spirit between two pioneers in Philippine experimental filmmaking. After returning from Europe in 1977, Virgilio Aviado’s vision found a crucial collaborator in veteran actor and producer Michael 'Mike' Parsons. Their partnership led to 'The Monastery', an art workshop in Baguio, which soon became a crucible for their joint creative endeavours. Significant arrivals from Japan—an etching press and a brand new 16mm SLR Canon Scoopic—further solidified their multimedia aspirations."

Photo courtesy of Carl Kuntze

More on Parsons and Aviado: "...at a print workshop at the UP Baguio, he met Mike Parsons. After the workshop, he invited Aviado to be his artist-in-residence at the Parsons compound in Beckel, La Trinidad, Benguet. Parsons invested more than US$50,000 in equipment and art supplies for the Monastery Print Workshop. In all, Aviado stayed 12 years in Baguio (1978-1990), leaving before the big earthquake occurred." [from The Vera Files]

2013 - died on 15th September 2013 in Baguio City.

2015 - Mike's film clippings are donated to the De La Salle University in Manila: "Joining in the ranks of the Libraries’ distinguished Special Collections the realm of Filipino film industry is Michael Joaquin Parsons. His contribution to the film arena mostly took place in the 1960s after he decided to leave the molasses business of his family. He soon dedicated himself in acting and producing movies. He starred on three American films that were shot in the Philippines namely, Too Late the Hero; Beach Red; and High Velocity. His donated collection mainly consisted of film albums that he purposely arranged after he started their papermaking operation in Baguio. Researchers may find some newspaper clippings included within a few of the albums, several of them giving accounts of some films making its way to German film festivals as well as to the prestigious Filipino Academy of Movie Arts and Sciences Awards (FAMAS) distinctions."

From "Mike Parsons: Passionate Friend of Local Movies", The Philippine Star, 9th September 2017

In the mid-’60s, Philippine cinema had a passionate friend in the person of Michael ‘Mike’ Parsons. He received the Dr. Ciriaco Santiago Memorial Award for ‘pushing local motion pictures to greater heights and mould them into a major Philippine industry with international significance.’

He is best remembered for producing and starring in The Passionate Strangers, written and directed by Eddie Romero. Sharing stellar billing with Mike were American actress Valora Noland, Celia Rodriguez, Vic Diaz and Mario Montenegro. It was released internationally.

Mike earlier appeared with Van Helfin and Rita Moreno in To Be A Man, Hollywood co-production filmed in the Philippines.

After The Passionate Strangers, Mike appeared in other joint ventures, usually directed by Gerry de Leon, Cirio H. Santiago and Romero.

His concern with the country was not surprising as he was born in Manila, the son of longtime American resident in the Philippines ‘Chick’ Parsons, famous as an active guerilla leader during the Japanese occupation and one-time publisher of a major Manila daily.

Mike was quoted as saying, ‘We must let the world know that there is a Philippine movie industry,’ adding we should gain a foothold in the international market. He believed in the talent of Filipino filmmakers.

He admired then First Lady Imelda Marcos for supporting the arts, including cinema. The premiere showing The Passionate Strangers was for the benefit of Madame Marcos’ artistic projects.

When not busy with his film commitments, Mike was an executive of several corporations.

Thursday, October 30, 2025

The Walls Of Hell (1964)

1964 - The Walls Of Hell (Filipinas Productions/Hemisphere Pictures)

[US-Filipino co-production filmed in Manila; local release date 7th March 1964 as “Intramuros”]  

Directors Gerardo de Leon, Eddie Romero Writers Cesar Amigo, Ferde Grofé Jr, Eddie Romero [as “E.F. Romero”] Producer Eddie Romero Executive Producer Kane W. Lynn Cinematography Felipe Sacdalan Music Tito Arevalo Orchestration Vic Marqueses Supervising Editor Joven Calub Editor Ben Barcelon Sound Engineer Demetrio de Santos Sound Mixer Pat del Rosario Sound Effects Editor Tony Gosalvez Production Manager Carpi Asturias Art Director Vicente Bonus Assistant Director Jose M. Dagumboy Special Effects Hilario Brothers Makeup Artist Remy Amazan Wardrobe Paquito Salcedo Assistant Cameraman Edmundo Bautista Sound Recordists Vicente Dona, Arsenio Nicolas Unit Manager Jose Flores Sibal Assistant Unit Manager Walter K. Phelps Jr Continuity Director Dik Trofeo Armorer Fernando Fernandez Laboratory Cesario Ereso, Cirilo Marcos  

Cast Jock Mahoney (Lieutenant Jim Sorenson), Fernando Poe Jr (Sergeant Nardo Maglaya), Michael J. Parsons [as Mike Parsons], Oscar Roncal (Joker), Paul Edwards Jr (Murray), Ely Ramos Jr (Jose), Fred Galang (Pedring), Arsenio Alonzo, Vance Skarstedt [as “Vance Scarstead”] (Major Briggs), Claude Wilson (American Officer), Pedro Navarro (Guerrilla), Carpi Asturias (Commander Reyes), Andres Centenera (Benjamin Soler), Paquito Salcedo (Old Man in Prison Camp), Alex Swanbeck, Tommy Romulo, Willie Salcedo, Angelo Ventura [as “Angel Buenaventura”] (Private Felipe Cruz), George Kramer, Cecilia Lopez (Tina Sorenson) [IMDB also lists Jess Montalban, Ben Sanchez, Reynaldo Sibaldo]  

WAR  

Co-director Gerardo de Leon (middle) with actors Fernando Poe Jr and Jock Mahoney. 
Image and Filipino posters courtesy of Simon Santos and his Video 48 blog

NOTES by Andrew Leavold: Intramuros/The Walls Of Hell was the first co-production between Eddie Romero's Filipinas Productions and his partner in Lynn-Romero Productions, Kane W. Lynn's new company Hemisphere Pictures. Filipinas' co-producer Michael J. Parsons has a significant role as Papa. Screenplay was co-written by George Montgomery's writer and director Ferde Grofe Jr (The Steel Claw, Warkill etc). Eddie co-directed with his long-time mentor Gerardo (aka "Gerry") de Leon, on location in the still-war ravaged ruins of the walled city.

From Intramuros' Facebook page:















Review by Andrew Leavold [transcript of my intro to the "Schlock Treatment" screening of The Walls Of Hell on Brisbane's Briz 31 TV, 18th January 2008]

The Philippines, it would seem, is a country that was destined to relive the trauma of the Japanese invasion through their cinema. Unlike Cavalry Command, there’s not many movies about the American-Philippines War of 1899, a shameful period of betrayal and capitulation. World War 2, on the other hand, produces the kind of instant heroes that populist cinema thrives on, and from Liberation right through until the 70s and 80s there were literally hundreds, if not thousands, of Tagalog-language war movies featuring Pinoy guerrillas proudly fighting side by side with American troops to liberate the islands from the retreating Japanese.

The Walls Of Hell
is set in the final stages of the Battle of Manila and filmed where it happened - behind the actual walled city of Intramuros, the oldest part of Manila built by the Spanish in the 1600s. Despite the Japanese high command declaring Manila an “open city”, the remaining troops holed themselves up behind the ancient, almost impenetrable walls and embarked on a suicide mission to inflict as much damage on their would-be captors, and Manila’s civilians, as possible. It took 3 weeks of throwing 10,000 shells an hour into the walled city to finally retake Intramuros at an appalling cost to culture, history, real estate and human life, and without a single Japanese soldier left alive.

The Walls Of Hell is initially framed through the eyes of a visiting journalist intent on capturing the true spirit of America’s fighting men. He finds it in Jim Sorensen, played by king of the stuntmen and one-time Tarzan Jock Mahoney. Alternating between gruff, stoic and violently angry - his Filipina wife Tina is missing and presumed killed by his own artillery – he’s fighting his own war, according to fellow soldier Papa (Mike Parsons), a lay preacher turned medic, and the film’s Catholic voice of conscience.

The focus changes with the appearance of Nardo, a guerrilla from inside Manila played by the all-time king of Filipino actors, Fernando Poe Jr. He was both the Marlon Brando and Elvis Presley of the Philippines with over 200 films to his credit which, with the exception of this and Romero’s war movie The Ravagers made the following year, never made it beyond the islands’ borders. His earnestly downbeat performance and patriotic speeches in The Walls Of Hell use his own voice, and he proves to be a fine local lead in an English language picture. FPJ, or “Da King”, died from a stroke in 2004 just after an unsuccessful attempt to follow his friendly rival and regular co-star Joseph Estrada into the Presidential Palace, and so why he was never a successful export like Weng Weng, he will never be able to explain.

At first he’s suspected to be a spy working for the Japanese, but shows the soldiers a passageway to get in to – and for civilians get out of – Intramuros. The three-hundred-year-old catacombs, now eerie smoke-shrouded sewers, are lit in a dramatic way to resemble the corridors of Hell. In fact the entire film appears to shake; the soundtrack of sparingly-used military snare over a ceaseless artillery barrage lends a very real sense of doom, as do the wobbling cameras and ever-present smoke and fires. Director Eddie Romero once said he WISHED Filipino filmmakers could work with a B-Grade budget, and I’m sure the film is much smaller than he would have liked, but by telescoping the action to tight, claustrophobic locations, the parts add together to make a vivid whole.

The Walls Of Hell
lists two directors, both enshrined as National Artists of the Philippines, and marks a truly successful collaboration between the two directors: Eddie Romero, primarily a screenwriter before moving into directing, concentrates on the actors and the unfolding drama, while the older Gerardo de Leon is more interested in frame composition and the film’s gorgeous black and white aesthetics. Ferde Grofe Jr took time off from working on George Montgomery’s tropical action films to contribute to the script which was released, as Romero often did under his “Filipinas Productions” banner, as a local version called Intramuros. Naturally in the Philippines, FPJ received top billing.

It’s a gung-ho war film Filipino style by a primarily local cast and crew and with added, rather creepy sense of history by filming on the actual locations. I’m sure the Ghosts of Manila are watching as we fearlessly scale The Walls Of Hell.

Noel Vera's review on his Critic After Dark blog

Daily News [New York], 18th November 1965, p.88







Jock Mahoney (Lieutenant Jim Sorenson)

Fernando Poe Jr (Sergeant Nardo Maglaya)

Michael J. Parsons [as Mike Parsons] (Papa)

Oscar Roncal (Joker)

Paul Edwards Jr (Murray)

Ely Ramos Jr (Jose)

Fred Galang (Pedring)

Vance Skarstedt [as “Vance Scarstead”] (Major Briggs)

Claude Wilson (American Officer)

Carpi Asturias (Commander Reyes)

Andres Centenera (Benjamin Soler)

Paquito Salcedo (left - Old Man in Prison Camp)

Angelo Ventura [as “Angel Buenaventura”] (Private Felipe Cruz)

Cecilia Lopez (Tina Sorenson) 








THEATRICAL


PHILIPPINES - released as "Intramuros" on 7th March 1964 via Eddie Romero's Filipinas Productions.

Later re-released to Filipino screens as "The Walls Of Hell" (date unknown). You always know when it's a Filipino poster - Fernando Poe Jr is billed above Tarzan!











USA - released by Hemisphere Pictures as "The Walls Of Hell" on 10th August 1964, according to the Internet Movie Database. Response was underwhelming, to say the least - note the above ad where the film is dumped on a double bill with Robin And The Seven Hoods!


In an attempt to rebrand the film as a horror title, Hemisphere re-releases The Walls Of Hell to US theatres in December 1964 on a much more marketable double bill with Eddie and Gerry's earlier film Terror Is A Man (1959), retitled "Blood Creature". 

Honolulu Star-Bulletin, 14th December 1964, p.27



HAWAII - "The Walls Of Hell" made the newspapers ahead of its tour of the Islands via Consolidated with Girls On The Beach (1965).

The film was then re-released in April/May 1966 onto Consolidated's Filipino-language circuit (although the film was in English, the obvious drawcard for the Filipino diaspora was Fernando Poe Jr - again, notice his name comes first).


GUAM
- distributed by Herbert Johnston, owner of the Johnston Theatre in Agana and the Marine Drive-In. Both venues had a large Filipino clientele; Johnston later began importing Tagalog-language films with great success. "The Walls Of Hell" was paired with Wild On The Beach (1965) and screened at the Johnston from 27th to 29th January 1966 and 6th to 8th March 1966, before appearing at the Marine Drive-In from 19th to 23rd March the same year. 


UK - released as "The Walls Of Hell" in a double bill with the Hammer thriller The Nanny (1965) by ABC [Associated British Cinemas, a branch of Associated British Picture Corporation] on 8th November 1965; screened around the UK from November 1965 to February 1966.  

FRANCE - released dubbed into French as “Les Murailles de l’Enfer” via Sorexi, on 8th March 1967 (according to the Internet Movie Database).

WEST GERMANY - released dubbed into German as "Der Hölle Ausgeliefert", according to the Internet Movie Database.




ITALY - released dubbed into Italian as "Ora X Commandos Invisibili" via Florida Cinematografica, date unknown.

SPAIN - released dubbed into Spanish as “Las Murallas Del Infierno (The Walls Of Hell)” by CB Films, date unknown.

SWEDEN - released with Swedish subtitles as "Blod över Filippinerna" ("Blood Over The Philippines"), distributor unknown, on 23rd August 1965 (according to the Internet Movie Database).





DENMARK - released with Danish subtitles as "Helvedes Mure" via Simonex-Film on 19th April 1965 [according to the Danish Film Institute].

FINLAND - released as "Helvetin Muurit" on 1st October 1965 (according to the Internet Movie Database).

MEXICO - released as "La Muralla Del Infierno", release date 22nd July 1965 (according to the Internet Movie Database).

BRAZIL - released as "Muralhas Do Inferno", according to the Internet Movie Database.

DIGITAL


USA - released on DVD in 2001 via Winstar Video.

ITALY - released on DVD as "Ora X Commandos Invisibili" in both English and Italian dubs via Mosaico Media.

CZECH REPUBLIC - the internet suggests the DVD release of "Bitva O Manilu" is in fact The Walls Of Hell, but could also be Manila Open City (1968) or a documentary about the fall of Manila. If anyone has a scan of the back cover, I'd love to confirm its contents.





- US DVD