Wednesday, November 12, 2025

The Indonesian Connection

The INDONESIAN CONNECTION: A Work-In-Progress!

A list of Indonesian films made in the Philippines, and Filipino releases in Indonesia

1952 - Rodrigo de Villa (co-produced by LVN Studios and Indonesia-based Persari)

1953 - Leilani (Tabu) (co-produced by LVN Studios and Indonesia-based Persari)

1962 - Holiday In Bali (co-produced by Sampaguita Pictures and Indonesia-based Persari)

*1973 - Lipad, Darna, Lipad! (Filipino superhero film released in Indonesia)

*1976 - Naga Merah/"Black Dragon" (Indonesian production partly filmed in the Philippines)

*1980 - Darna Ajaib (Indonesian version of the Darna series)

Naga Merah (1976)

1976 - Naga Merah/“Red Dragon” (Tim Teknis Film Metro 77 Komdak Metro Jaya/YKKP/PT Yunawati)  

[Indonesian production filmed in Jakarta and the Philippines]  

Director Fritz G. Schadt Story Letkol Jeanne Mandagi SH [listed in credits as “NY JN Mandagi SH] Screenplay Misbach Jusa Biran [in credits as “H Misbach Y Biran] Producer Abbas Wiranatakusuma [in credits as “Abas W. Kusumah”] Co-Producers Hidayat Saleh, Dr Achmad Danurussamsi Cameraman: Unit I Jakarta R. Husein Cameraman: Unit II, Manila Armand Dulag Music Idris Sardi Editor Rizal Amsar Sound Designer E. Sambas Production Supervisors M.H. Wahyudi, Marah Yoenoes, Soeharyono Production Manager J.A.F. Masiruw Art Director Fred Wettik Assistant Director: Manila Romeo N. Galang Stylist Sudarso Property Master Azwar Noor Manager: Unit I, Jakarta E.M. Monter Monterio Manager: Unit II, Manila Leody M. Diaz Assistant Unit Managers Bambang S. Yatno, Jose Flores, Amir Sinaga Assistant Cameraman Sofyan Harahap Lighting Agusthen Zaidt, Syahrial Sound Recordists Sutarya, Sutarno Script Supervisor Krishna W. Kusumar Assistant Editor Mulyadi Stills Albert Situmorang Publicity Manager Abdul Moeis Rachman   

Cast Dicky Zulkarnaen (Kapten Edi Rosadi), Marissa Bigode, Arifin Hidayat, Meiske Sundah, Usman Effendy, Rosaline Oscar, Netty Herawati, Mansjur Sjah, ME Zainuddin, Rachmat Kartolo (Indonesian Opium Warlord), Yoseano Waas, [uncredited] Joe Sison, Rey Sagum (Henchman), Franco Guerrero (NBI Agent), Val Igelsias (NBI Agent)

KUNG FU/CRIME/THRILLER

SYNOPSIS (from Facebook): Indonesian classic movie, Red Dragon, tells about the drug eradication efforts by the police. The mid-70's became the beginning of the emergence of movies themed heroic actions of law enforcement in Indonesia.

One of the films that may still stick in the memory of classic cinema lovers of the country is the Red Dragon, which was released in 1976 and directed by Fritz G Schadt. The story of the movie is centered on the life of Edi Rosadi (Dicky Zulkarnaen), a man who works for the Republic of Indonesia Police.

One day, Captain Edi Rosadi was tasked with handling the biggest drug trafficking case in the country. In the extermination operation he led, a jackfruit managed to escape and so far its whereabouts are still unknown.

Until some time later, Captain Edi Rosadi got news that the beaver is now hiding in an area in the Philippines.

NOTES by Andrew Leavold: Naga Merah/"Red Dragon" is certainly a beast with two heads - an Indonesian and VERY Seventies crime thriller filmed in and around Jakarta until the last half-hour when Captain Edi Rosadi (thick-cut superstar Dicky Zulkarnaen) follows the trail of the drug traffickers to Manila. This final part of the film - practically a self-contained movie in itself - is where the dialogue switches to English and the local actors get to chew the local scenery. The feeling of a film-within-a-film makes sense when you consider the Filipino scenes are directed by Romeo Galang (X-44 adventure Magnum .44 [1974], The Golden Triangle [1975], and writer of Bobby Suarez's Bionic Boy and Cleopatra Wong adventures) assisted by Leody M. Diaz (director of several X-44 films and The Bionic Boy [1976]). Along with a stellar cast of local Dependables in front of and behind the cameras, you're in safe, goon-friendly hands. 

Captain Edi drives from the airport past the usual markers (the "Mabuhay" sign near the terminal, Manila Bay, and the Brutalist hulk of the Cultural Center of the Philippines - "Welcome to Manilaaaaaaar!") to his hotel. In his room he is confronted by a pretty but overly-friendly Chinese girl Mai Ling, who is most probably a mole for local gangster Guerrero's narcotics ring. He then meets in the bar with local NBI contact Charito, under orders from her boss at "Manila Tours", a Mr Castro. She takes him on a performative visit and info-swapping tour around the Rizal monument - more exotica for the Indonesian audience - while being tailed by a Syndicate henchman (Rey Sagum) and his three goons. 

Back at the hotel he stumbles into pretty American tourist Shirley, who Charito warns is being used as bait. But there's no stopping this budding romance; walking back arm-in-arm from a night club they're attacked by Rey Sagum and his thugs, and she is stabbed to death. Charito arrives with Mr Castro and his agents (including blink-and-you'll-miss appearances by Leody Diaz's favourite goon Franco Guerrero and Val Iglesias), who interrogate the surviving goon. Rey escapes to warn Guerrero (Joe Sison) and Indonesian connection (Rachmat Kartolo) that Rosadi and the NBI are on their way. Guerrero vows to fight to the last goon, clinging to his dream of being South-East Asia's opium kingpin while his disposable henchmen are torn to ribbons by Casto's men. 

All of this is, of course, happening on a film set in the Philippines with an Indonesian production team, around the same time Bobby Suarez is realizing his own pan-Asian film empire beginning with his Filipino-Singapore-Hong Kong co-production The Bionic Boy. This makes Bobby the film industry's equivalent of Guerrero and his opium ring. And film, as we know, is as valuable as opium and twice as addictive. 

THE "SAN MIGUEL BOTTLE" PROJECT



Dicky Zulkarnaen (Kapten Edi Rosadi)

Rachmat Kartolo (Indonesian Opium Warlord)
 
Joe Sison 
[uncredited] (Guerrero)

Rey Sagum 
[uncredited] (Henchman)

Franco Guerrero 
[uncredited] (NBI Agent)

Val Igelsias 
[uncredited] (NBI Agent)

...and unidentified and uncredited...

(right, as Mr Castro)

(as Charito)

(as Mai Ling)

(as Shirley)

(as the Bartender)

(as the Driver)

(as Guerrero's Goon)

(as Guerrero's Goon)

(as Guerrero's Goon) 

(as Guerrero's Goon)

(as Guerrero's Goon)

(as Guerrero's Goon) 

(as Guerrero's Goon)

(as Guerrero's Goon)

(as Guerrero's Goon)





THEATRICAL


INDONESIA - released in 1976




 


- mp4 file [in Indonesian with no subtitles]



Monday, November 10, 2025

Michael J. Parsons

Born in Manila, the eldest of three sons to American-born parents - war hero Charles Thomas "Chick" Parsons Jr (April 22, 1902 – May 12, 1988), and Katrushka (Katsy) Jurika.

Mike spoke about his upbringing in an interview with Roy Newquist on the set of Too Late The Hero (1970): "I was born here in the Philippines, in Manila. Education was kinda interrupted by the War, and after the War I went to school here in the Philippines and then Hong Kong. I finally ended up at Yale, transferred from the Undergraduate Department to the Drama Department, spent a year there and left.

"The commitment to acting as a way of life and profession, as my only way of life, has only been about the past year and a half. But I started acting in high school plays, and I worked in a couple of plays in New York when I left Yale. But what I have been doing for the past eleven years is... After I got out of the Marine Corps I came back here to work for my father, and ended up as Vice President, General Manager of his corporation [most probably the North American Trading and Importing Company] and sat on the boards of about nine other family corporations [Chick Parson's interests included a minimum 60% ownership of the Luzon Stevedoring Company, the La Insular Cigar and Cigarette Factory, and Japanese mining firm Nihon Kogyo Kabushiki Kaisha]. All this time, however, I was doing films. I'd do one film a year, two, instead of taking holidays. And a couple of years ago I just sat down, took stock of what I wanted to do, and I worked on Beach Red (1967) for Cornel Wilde. Beach Red led me to this picture.

"I think I have what it takes, and I'm going to give it a heavy shot anyhow."

1962 - first screen appearance as Lieutenant Robert Grimm in Eddie Romero's war film Target 1-1-1/The Raiders Of Leyte Gulf.

1963 - supporting role in the international production To Be A Man/Cry Of Battle; Eddie Romero was Associate Producer. Eddie and Mike subsequently form Filipinas Productions and release Sa Atin Ang Daigdig, Magtago Ka Na, Binata! and Ikaw Ngayon Ako Bukas (Mike also acts in all three), and Dakpin Si Pedro Navarro! (co-producer with Eddie only).

1964 - as Filipinas Productions, co-produced and had a supporting role as Papa in Eddie Romero and Gerardo de Leon's Intramuros/The Walls Of Hell, and Eddie's Amok/Moro Witch Doctor. Filipinas Productions also make a local version on the set of Flight To Fury (dir. Monte Hellman), released as Cordillera, and a western called Cimarron; an English version, Way Of The West, was also prepared for international release but never sold. Mike makes a brief appearance in the all-star war film Mga Kanyon Sa Corregidor (dirs. Jose de Villa and Mar S. Torres).

1965 - as Filipinas Productions, co-produced and also had a supporting role in Eddie Romero's The Ravagers, and plays an American soldier in the Fernando Poe Jr war film Sa Bawat Hakbang... Panganib. He is also in a solo producer role as "MJP Productions" for Darmo Solo (dir. Jose Dagumboy).

1966 - as producer for MJP Productions as his one and only lead role in Eddie Romero's The Passionate Strangers.

1967 - Quijano de Manila (Nick Joaquin) remembers about the year 1967 in the Philippines Free Press: "Mike Parsons shooting the first Philippine underground film at his Pasay house; and the night at Indios Bravos that the film was 'premiered.'" He fails to mention the film's name - but Parsons is linked to directing the experimental shorts The Wall and Las Munecas (dates unknown). He also acts in Cornel Wilde's Beach Red, (uncredited) as an American POW in The Longest Hundred Miles, and in The Secret Of The Sacred Forest (eventually released 1970) for director Michael DuPont. 

1969 - filming for Too Late The Hero (released 1970) on Boracay Island; Parsons is in a supporting role playing Irish soldier Rafferty. 

1973 - acted in the "Django" episode of the Sine Pilipino omnibus film Si Popeye atbp/"Popeye etc".

1975 - supported Zaldy Zshornack and Vic Vargas in Dugo Ng Tarikan (dir. Armando A. Herrera).

1976 - co-producer on High Velocity for US production company First Asian Films Of California, as well as co-writer with director Remi Kramer.

1978 - one of the voices in the animated feature Tadhana (dir. Nonoy Marcelo).

1978 - also featured in 1978 Footages, a short film directed by Virgilio “Pandy” Aviado: "This film captures the friendship, collaboration and shared adventurous spirit between two pioneers in Philippine experimental filmmaking. After returning from Europe in 1977, Virgilio Aviado’s vision found a crucial collaborator in veteran actor and producer Michael 'Mike' Parsons. Their partnership led to 'The Monastery', an art workshop in Baguio, which soon became a crucible for their joint creative endeavours. Significant arrivals from Japan—an etching press and a brand new 16mm SLR Canon Scoopic—further solidified their multimedia aspirations."

Photo courtesy of Carl Kuntze

More on Parsons and Aviado: "...at a print workshop at the UP Baguio, he met Mike Parsons. After the workshop, he invited Aviado to be his artist-in-residence at the Parsons compound in Beckel, La Trinidad, Benguet. Parsons invested more than US$50,000 in equipment and art supplies for the Monastery Print Workshop. In all, Aviado stayed 12 years in Baguio (1978-1990), leaving before the big earthquake occurred." [from The Vera Files]

2013 - died on 15th September 2013 in Baguio City.

2015 - Mike's film clippings are donated to the De La Salle University in Manila: "Joining in the ranks of the Libraries’ distinguished Special Collections the realm of Filipino film industry is Michael Joaquin Parsons. His contribution to the film arena mostly took place in the 1960s after he decided to leave the molasses business of his family. He soon dedicated himself in acting and producing movies. He starred on three American films that were shot in the Philippines namely, Too Late the Hero; Beach Red; and High Velocity. His donated collection mainly consisted of film albums that he purposely arranged after he started their papermaking operation in Baguio. Researchers may find some newspaper clippings included within a few of the albums, several of them giving accounts of some films making its way to German film festivals as well as to the prestigious Filipino Academy of Movie Arts and Sciences Awards (FAMAS) distinctions."

From "Mike Parsons: Passionate Friend of Local Movies", The Philippine Star, 9th September 2017

In the mid-’60s, Philippine cinema had a passionate friend in the person of Michael ‘Mike’ Parsons. He received the Dr. Ciriaco Santiago Memorial Award for ‘pushing local motion pictures to greater heights and mould them into a major Philippine industry with international significance.’

He is best remembered for producing and starring in The Passionate Strangers, written and directed by Eddie Romero. Sharing stellar billing with Mike were American actress Valora Noland, Celia Rodriguez, Vic Diaz and Mario Montenegro. It was released internationally.

Mike earlier appeared with Van Helfin and Rita Moreno in To Be A Man, Hollywood co-production filmed in the Philippines.

After The Passionate Strangers, Mike appeared in other joint ventures, usually directed by Gerry de Leon, Cirio H. Santiago and Romero.

His concern with the country was not surprising as he was born in Manila, the son of longtime American resident in the Philippines ‘Chick’ Parsons, famous as an active guerilla leader during the Japanese occupation and one-time publisher of a major Manila daily.

Mike was quoted as saying, ‘We must let the world know that there is a Philippine movie industry,’ adding we should gain a foothold in the international market. He believed in the talent of Filipino filmmakers.

He admired then First Lady Imelda Marcos for supporting the arts, including cinema. The premiere showing The Passionate Strangers was for the benefit of Madame Marcos’ artistic projects.

When not busy with his film commitments, Mike was an executive of several corporations.

Sunday, November 9, 2025

Rodolfo "Boy" Garcia

From Rodolfo "Boy" Garcia: Remembering the Legendary Actor and Villain of Filipino Cinema by Mona BV, posted on the Sikat Trendz website 7th November 2025

In the history of Filipino cinema, there have been actors who have not always been stars or in the spotlight, leaving a stronger mark because of the quality of their performances. One of those is Rodolfo "Boy" Garcia. He is not just a villain on screen. He is an actor with depth, presence, and discipline, who has been a part of character shaping in many films from the 60s to the 90s. His name remains an important part of the golden era of the local industry.

One of those who has left a lasting mark on the Filipino film world is Rodolfo "Boy" Garcia, a well-known character actor and villain who was active in the industry from 1961 to 1997. He is known for his steady performance and his ability to bring roles to life with weight and personality.

Born on December 31, 1935 as Wilfredo Boy L. Garcia, he began his rise during the heyday of the big film studios. He was one of the signature actors of Sampaguita Pictures, where he gradually became known as one of the featured villains and supporting actors in various films. Throughout his career, he made approximately 300 films, a testament to his hard work, discipline, and respect for the art of acting.

Boy Garcia is known for action and drama films, as well as films centered on life and society. He often plays the role of a tough father, leader, or antagonist who gives weight to the story. Despite being a villain on screen, he is known in showbiz as a good friend and professional co-worker.

In 1968, he married fellow actress Lucita Soriano, also a well-known film and television actress. They had two children, including actor Marco Polo Garcia, who later went on to pursue acting career as well.

One of the highlights of his career was when he was awarded Best Supporting Actor in 1983, in recognition of his outstanding performance in a drama that dealt with family and social relationships. This award cemented his reputation as one of the finest villains in Filipino cinema.

Rodolfo "Boy" Garcia passed away on July 18, 1997, at the age of 61. His final year was a quiet one, but his memory and contribution to the hearts of audiences and the industry have lived on.

Over time, Boy Garcia continues to be recognized as one of the pillars of character acting in the Philippines. His films serve as a reminder that acting isn't always about being a hero, but about carrying the story with truth and heart.

As one of Rocky's henchmen in Tiger Force/Kill The Tiger (dirs. Joseph Velasco & Danny Ochoa, 1975)

As Vic Tango, one of the vicious Tango Brothers, in Da Best In Da West (dir. Romy Villaflor, 1981)

As Mr Kaiser in For Y'ur Height Only (dir. Eddie Nicart, 1981)

As an unnamed bar thug in Bilang Na Ang Oras Mo/Revenge For Justice (dir. Manuel "Fyke" Cinco, 1985)



Sunday, November 2, 2025

Mariano Perdices

- full name Don Mariano Francisco Perdices y Bernad (December 03, 1907 - December 12, 1972)

- born in Bais City, Negros Oriental

- appeared as the Judge in Eddie Romero's The Passionate Strangers (1966), filmed in Dumaguete and Bais while he was Governor of Negros Oriental (1959-1972).


Reuben R. Canoy

From Ian Rosales Casocot's The Spy In The Sandwich blog: Reuben Rabe Canoy (1929-2022) was a fictionist, poet, screenwriter, film producer, radio host, lawyer, politician, and staunch advocate for Mindanao independence and federalism. He was born on 6 June 1929 in Cagayan de Oro City. He graduated with an AA degree from Silliman University in 1952, after spending his collegiate years in Dumaguete City pursuing the literary life: he was a huge part of Silliman's post-World War II generation of writers who went on to great critical acclaim in the mid-1950s, together with Edilberto Tiempo, Edith Tiempo, Aida Rivera Ford, Ricaredo Demetillo, Eddie Romero, and Cesar Jalandoni Amigo. He was editor-in-chief of the 1952 edition of 𝑆𝑎𝑛𝑑𝑠 𝑎𝑛𝑑 𝐶𝑜𝑟𝑎𝑙, the university's literary journal, for which he was also known for contributing its now iconic emblem of a nude figure swimming underwater and gathering sand in their hands, which he designed in 1948. He published his fiction and poetry widely in national papers and magazines as well. In 1981, Leopoldo Y. Yabes would include his short story "Deep River" in the landmark anthology, 𝑃ℎ𝑖𝑙𝑖𝑝𝑝𝑖𝑛𝑒 𝑆ℎ𝑜𝑟𝑡 𝑆𝑡𝑜𝑟𝑖𝑒𝑠 1941-1955, published by the University of the Philippines Press.

After graduating with a law degree from UP, he dabbled in two different worlds: cinema and politics. In 1966, he was appointed Undersecretary for the Department of Public Information under the Presidency of Ferdinand E. Marcos, and also provided the story for fellow Sillimanian Eddie Romero's 𝑇ℎ𝑒 𝑃𝑎𝑠𝑠𝑖𝑜𝑛𝑎𝑡𝑒 𝑆𝑡𝑟𝑎𝑛𝑔𝑒𝑟𝑠, which is a film noir set in Dumaguete. He would later write the screenplay for Romero's B-movie horror film 𝑀𝑎𝑑 𝐷𝑜𝑐𝑡𝑜𝑟 𝑜𝑓 𝐵𝑙𝑜𝑜𝑑 𝐼𝑠𝑙𝑎𝑛𝑑 [1968], where he was billed as Ruben Canoy, and for Amigo's 𝐵𝑎𝑏𝑎𝑒 𝑠𝑎 𝐿𝑖𝑘𝑜𝑑 𝑛𝑔 𝑆𝑎𝑙𝑎𝑚𝑖𝑛 [1976], which he also produced under his film outfit Ruben Canoy Productions. He also went on to write and produce Amigo's 𝑆𝑎 𝐷𝑢𝑙𝑜 𝑛𝑔 𝐾𝑟𝑖𝑠 [1977].

While making headway into local film, he would become a member of the Marcos-era Batasan Pambansa. He would later run for mayor of Cagayan de Oro City, a position he held from 1971 to 1976. Together with fellow Mindanaoan politicians Aquilino Pimentel Jr. and Homobono Adaza, he formed the Mindanao Alliance during the Marcos years, and the three became known for being outspoken critics of the Martial Law regime. Of the three, it was Canoy who first hogged the national limelight when he emerged as the lone opposition candidate in Northern Mindanao to win in the 1978 Batasan polls. [At that time, Batasan members were elected on a regional basis.] In 1981, however, the three allies parted ways because of political differences, and Canoy would go on to form the Social Democratic Party of the Philippines with 14 members of various opposition groups, hoping to begin building a unified opposition to the then 16-year-old rule of Marcos.

He used his knowledge from his early association with Marcos to write a book on Martial Law, titled 𝑇ℎ𝑒 𝐶𝑜𝑢𝑛𝑡𝑒𝑟𝑓𝑒𝑖𝑡 𝑅𝑒𝑣𝑜𝑙𝑢𝑡𝑖𝑜𝑛: 𝑇ℎ𝑒 𝑃ℎ𝑖𝑙𝑖𝑝𝑝𝑖𝑛𝑒𝑠 𝑓𝑟𝑜𝑚 𝑀𝑎𝑟𝑡𝑖𝑎𝑙 𝐿𝑎𝑤 𝑡𝑜 𝑡ℎ𝑒 𝐴𝑞𝑢𝑖𝑛𝑜 𝐴𝑠𝑠𝑎𝑠𝑠𝑖𝑛𝑎𝑡𝑖𝑜𝑛 [1984], which many took as Canoy's diatribe against 𝑅𝑒𝑣𝑜𝑙𝑢𝑡𝑖𝑜𝑛 𝑓𝑟𝑜𝑚 𝑡ℎ𝑒 𝐶𝑒𝑛𝑡𝑒𝑟 [1978], a book in which Marcos touted the ideological foundation of his authoritarian rule. Of this tome, the late National Artist F. Sionil Jose noted: "Canoy ... has first-hand knowledge of the Marcos regime because he was Undersecretary of Information, Presidential Action Officer, and Chairman of the Southern Philippines Development Authority. As a writer in the early days of the Martial Law regime, Canoy was privy to the machinations and backdoor dealings in the Palace. His book is not only authoritative but also illustrates how power operates and how it also fails. He called the Marcos dictatorship a counterfeit revolution because like most intellectuals in the fringes of power he realized soon enough the shortcomings of a presidency surrounded by relatives and cronies who profited from that dictatorship."

Canoy also wrote 𝑇ℎ𝑒 𝑄𝑢𝑒𝑠𝑡 𝑓𝑜𝑟 𝑀𝑖𝑛𝑑𝑎𝑛𝑎𝑜 𝐼𝑛𝑑𝑒𝑝𝑒𝑛𝑑𝑒𝑛𝑐𝑒 [1989], where he began touting his dream for that island's political independence from the Philippines. He would also turn his attention to the issue of federalism, and once described the current unitary government as “a legacy of colonialism, whose centralized power suppresses democratic governance, thwarts local development and impedes nationalist progress.”

Canoy would continue writing even when he was deeply enmeshed in politics. He had a regular column for 𝑇ℎ𝑒 𝑃ℎ𝑖𝑙𝑖𝑝𝑝𝑖𝑛𝑒𝑠 𝐻𝑒𝑟𝑎𝑙𝑑. He also wrote two novels: 𝐼𝑠𝑙𝑎𝑛𝑑 𝑜𝑓 𝐹𝑒𝑎𝑟 [1987], which is about an armed band roaming the countryside, posing as communist guerillas and terrorizing the rural folk, who are in reality members of an operation supported by American agents, high-ranking military officials, and right-wing businessmen; and 𝑇𝑒𝑟𝑟𝑜𝑟 𝑖𝑛 𝑃𝑎𝑟𝑎𝑑𝑖𝑠𝑒 [2006, co-written with his brother Nestor R. Canoy], which is about a good American caught in the webs of deceit by a dictator and the nefarious activities of the CIA.

He would run for President against Marcos in 1986, and in 1990 he was arrested and detained without warrant by the military for his alleged involvement in a coup staged in Northern Mindanao led by Col. Alexander Noble.

He was also a long-time radio personality. In 1952, he convinced his brother Henry to turn his fledgling radio station in CDO into a more powerful network. This became Radio Mindanao Network. Until his later years, Canoy would host an early morning radio program, “Perspective,” which ran for 64 years on RMN. In 1971, for his contributions to mass media, he would be conferred the Outstanding Sillimanian Award.

In 2013, he made a brief return to film when he was announced as one of the winners of the Genre Film Scriptwriting Competition organized by the Film Development Council of the Philippines, for his unproduced screenplay “The Unbelievers.”

He married Solona Torralba in 1953, with whom he had four children, Rhona, Chet, Marc, and Don.

He died on 5 July 2022.

For many of his avid radio listeners, he was known for his trademark sign-off: "Ang lungsod nga nasayod maoy makahatag og kusog sa demokrasya. Apan ang lungsod nga mapasagaron, maoy makapukan sa atong kagawasan. [The city that values knowledge is what gives strength to democracy. But the city that is foolhardy is what will destroy our freedom.]"

Cesar J. Amigo

Photos courtesy of Ian Rosales Casocot
- screenwriter and occasional director, from Dumaguete 

- frequent collaborator with directors Gerardo de Leon, Eddie Romero, Cirio H. Santiago and Luis Nepomuceno

A detailed biography is available in Ian Rosales Casocot's A Remembrance of Cesar Jalandoni Amigo (Buglas Writer's Journal #2, September-October 2022)

CESAR J. AMIGO TIMELINE AND FULL FILMOGRAPHY COMING SOON!